Sunday, August 21, 2011

The decline in boy readers and boy protagonists. Relationship?

The decline in boy readership is well-documented. In a recent New York Times article by Robert Lipsyte, a number of reasons are suggested for this disturbing trend.
  • Boys gravitate toward nonfiction;
  • Books with story lines about disease, divorce, death and dysfunction sell better for girls than do similar books for boys;
  • While teenage girls will read books about boys, teenage boys will rarely read books with predominately female characters;
  • Today’s books for boys are simply inferior: supernatural space-and-sword epics that read like video game manuals and sports novels with preachy moral messages, and which often seem like cynical appeals to the lowest common denominator.
Whatever might be the actual root cause – and there is some debate – there is little debate that the YA market today largely caters to the female reader demographic. To quote Lipsyte: “At the 2007 A.L.A. conference, a Harper executive said at least three-­quarters of her target audience were girls, and they wanted to read about mean girls, gossip girls, frenemies and vampires.” 

In other words, acquisition and marketing decisions by publishers are being made with this female readership in mind, and this indubitably affects other considerations down the road such as cover design and promotion strategies. The end product is leaving the teenage boys cold. And so the downward trend continues. Or so the theory goes.

Anyway, without entering too deeply into the current debate, I thought it might be interesting to see what percentage of YA books being released in the remainder of 2011 features a male protagonist. If the theory is true that teenage boys will rarely read books with a female protagonist (Hunger Games excepting), and if the Harper executive is correct (boys are only 25% of target audience), then you’d expect to see about 25% of the YA books featuring a male protagonist.
My analysis is by no means an exact science, and I certainly don’t hold it out to be one. Using the list of upcoming YA titles through 2011 from, I took a tally of the number of books with male (and female) protagonists. I did not include MG books or anthologies. To aid me in deciding the gender of the protagonist, I used the book’s description on Amazon; where that was inconclusive, I looked at the book cover to further guide me: did it predominantly feature a male or female? On occasion, where even that proved to be insufficient, I would check out the author’s website for more information. You can look at my full results here (and of course, let me know where I made a mistake! Again, this was just a rough-shod tally. Give me an intern and 5 hours, and I’ll give you an error-free analysis!).

There were times when I simply could not discern the gender of the protagonist. Sometimes, the book’s description gave inadequate information. Other times, the book’s synopsis suggested male and female main characters, and the cover featured both a male and female model. Paul Griffin’s Stay With Me is a good example of this. A few books, like Marie Lu’s Legend, feature alternating perspectives of a male and female protagonist. For books such as these, I decided not designate a male or female protagonist, and did not include that book in my final tally.

The result: Out of 104 YA titles coming out in the remainder of 2011, 27 of them feature male protagonists. That is 26%.

Which is pretty darn close to the aforementioned 25%.

Some other interesting tidbits of info:
Number of female authors who wrote books with a male protagonist: 10
Number of male authors who wrote books with a female protagonist: 1 (Clive Barker’s Abarat 3:Absolute Midnight).

Monday, August 1, 2011

writerly inspirations

July was not a good blogging month for me! But August will be different. See, it's only August 1st and I already have a blog up.

One of the questions I often get is how I get my ideas. I'm never really sure how to answer because inspiration hits me in varied ways and places, and they often evolve so gradually before crystallizing into the final form that I can't really articulate where or how I got the "idea."

But there are two activities that - for me, at least - really seem to let loose the creative juices. One of them is running. I love to put on my running shoes, snap on my Garmin watch, plug in my earphones, and just take off. By the time I've hit mile two or three and my body is warmed up, my brain unlocks. The dam breaks, and creative waters start flowing. Plot holes, character issues, etc. etc., all seem to find obvious solutions.

The second activity is taking a shower. Something about the white noise of water splashing, the soothing impact of hot water spraying off me, has a calming impact on me, and in that zen mode, ideas really seem to rain down on me. I read a blog somewhere about one author who kept a diver's board in his shower to jot down his ideas so I guess I'm not the only one.

And sometimes, inspiration can come in the weirdest form. Last week, I was really stuck plot-wise with something in Book II, and neither running nor showering seemed to help. I was getting pretty frustrated when I read a retweet from someone in Simon and Schuster (UK) who had read The Hunt. That person (@kat99999) mentioned that listening to The National's High Violet had invoked thoughts about The Hunt because both were "haunting and creepy." That piqued my curiosity so I listened to the album. And wouldn't you know it, ten minutes later, as I listened to the album, my fingers started to dance across the keyboard. Writer's block, unblocked. Thanks, @kat9999.